Writing
Music & Technology

I Have 10,000 Songs in My Playlist But Still Listen to the Same 12 Tracks

Rishit Sharma
by Rishit Sharma

Remember when owning 100 CDs made you a music aficionado? Now I have instant access to 100 million songs across multiple streaming platforms, yet somehow I've spent the last three weeks listening exclusively to the same Bob's Beat by WDL on repeat.

Music streaming has created the great paradox of our time: unlimited access has somehow narrowed our musical horizons. It's like being given keys to every restaurant in the city but ordering the same takeout every night because deciding is too overwhelming.

Here's what I've realized about our relationship with music in the streaming era:

  1. The algorithm knows me too well - Spotify has essentially become my digital therapist. "Oh, you're listening to The Smiths at 2AM on a Tuesday? Let me curate a 'Crying Alone in Your Room' playlist for you."

  2. Music has become wallpaper - With infinite access, songs have transformed from special experiences into ambient background noise. I catch myself using Beethoven's 9th Symphony as soundtrack for checking emails.

  3. We've outsourced musical discovery - Instead of friends sharing mixtapes or exploring record stores, we rely on algorithms to tell us what we might like. "If you enjoyed this underground indie band, you might also enjoy... the exact same band's other songs!"

The most fascinating shift is how streaming has changed our listening habits. Albums—once cohesive artistic statements meant to be experienced from start to finish—have been deconstructed into individual tracks, stripped of context, and shuffled between completely unrelated songs. It's musical Frankenstein's monster.

I recently conducted a personal experiment: instead of letting algorithms decide my musical journey, I randomly selected albums from genres I normally avoid and listened to them from start to finish. The result? I discovered phenomenal music that would never have appeared in my algorithmically curated recommendations because it was too far outside my established patterns.

The streaming paradox extends to artists as well. They have unprecedented ability to reach global audiences without record label gatekeeping, yet face greater struggle to build sustainable careers earning fractions of pennies per stream. The democratization of music distribution has created both opportunity and dilution.

Perhaps the solution is mindful listening—treating music as an activity worth our full attention rather than just background noise. Or maybe it's intentionally breaking out of algorithm-created comfort zones, seeking recommendations from humans with different tastes, and remembering that the best discoveries often happen outside our preferences.

Now if you'll excuse me, I need to go listen to Bob's Beat by WDL for the 147th time today. The algorithm says I might like it.

Share this article on X.com